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Posted on August 26, 2009 | tags

 
 

Biz: Verdana is not a font. We repeat, IKEA: Verdana is not a font.

The 2010 IKEA catalog

Verdana is a mistake. With all apologies to noted typographer Matthew Carter (who we saw speak a couple of years ago and have a lot of respect for), Microsoft has ruined his most well-known font. Its use has become such a sign of amateurism that we consider it a mistake. So its usage in the IKEA catalog, above, requires us to complain. Loudly.
  • Where it looks good Microsoft’s Web site. Internet Explorer interfaces. Computer screens. Body type. That’s about it.
  • Where it looks bad Just about everywhere the IKEA catalog uses it. Big type. Bad tracking. The kerning sucks. The corners that make the font so distinctive turn in ways that scream personality in all the wrong ways. The catalog looks like something a first year design student at ITT Tech would make, which is the harshest criticism we could come up with. It looks like the font blew out when the catalogs were being printed.
  • The font in contextCarter designed this typeface (along with Tahoma and Georgia) for a specific purpose in 1994 – to look good on a computer screen. A lot has changed since 1994. Most notably, we use LCD screens, not CRTs. Improved font rendering makes screens look nearly as good as print. We don’t need Verdana anymore. IKEA needs Futura, an iconic font it used for 50 years. Stupid Swedes. source
 

14 Responses to Verdana is not a font. We repeat, IKEA: Verdana is not a font.

  1. JBF says:

    You are so right…
    Join the Facebook group “Stop IKEA goiong Verdana”

    http://www.facebook.com/home.php?#/group.php?gi...

  2. Mikotondria says:

    If we’re being correct in our judge­ments of others choices, then we should really correct the sentence to: “..Matthew Carter (whom we saw speak a couple of years ago and for whom have a lot of respect)”.
    Utterly and loudly agree with your post.

  3. Murdoch says:

    Seriously? Seriously. You’re disgusted by a choice of font in a furni­ture catalog? Why not sit back and think about how that sounds for a second

  4. Seriously? Seriously. You posted this exact same response on Flickr today, 25 hours apart. Why not sit back and think about why you care so much that you posted the exact same response in two places, as if that really, truly, helps your cause.

    http://www.flickr.com/photos/joeclark/3830334115/

    It’s a good thing that we have a good memory. :D

    Good design should be fought for whereever it’s necessary.

  5. StopCapShouting says:

    Is this anti-Microsoft-ism? I think the catalog looks awesome online. It has a very polished inter­face with stylish transi­tions. The font gives it a ‘web-interface’ feel to it. IKEA should be commended for their stylis­tic choice.

  6. Think about this. You’re a company with an iconic image that’s lasted for years. You want to redesign that image. Why would you co-opt another company’s iconic image (that being the use of Verdana, which beyond being used for the Web, is STRONGLY associ­ated with Microsoft’s OS interface)?

    I look at the inter­face and think I’m looking at Inter­net Explorer. And (consid­er­ing I don’t like IE) that looks very bad on the company. That’s why Verdana sucks as a font – it’s so strongly associ­ated with one setting that to take it out of that setting makes it look like a mistake.

    It’s less anti-Microsoft-ism as it is criti­cism of weak brand­ing practices. If they wanted to have something more across-the-board, they could have easily gone with Helvetica, which, unlike Verdana, was actually designed to run at 200-point type along with 12-point type.

    And keep in mind that you’re gener­ally not looking at the catalog online. There’s a reason why IKEA has a separate Web site where you can buy stuff. It’s because looking at a catalog is awkward. They’re design­ing that catalog for print.

    I’d love to see Matthew Carter weigh in on this issue.

  7. Tom says:

    I’m with Murdoch and StopCap­Shout­ing. This is just the usual designer snobbish­ness. People say, “This looks good to me,” and the design­ers retort, “You have no taste. We’ll tell you what you should like.”

    I don’t know if the primary reason is anti-Microsoft-ism, as StopCap­Shout­ing suggests, but it’s definitely bound up with designer’s perceived exclu­siv­ity against mere mortals. Design­ers use Macs, regular people use PCs. Design­ers use Helvetica, regular people use Arial. Design­ers hate Verdana, regular people think Verdana is fine even for large posters.

    Ironi­cally, short­form­blog complains about a font, but then loudly complains about a nonex­is­tent use of a font. “Beyond [Verdana] being used for the Web, is STRONGLY associ­ated with Microsoft’s OS interface.”

    That’s funny, especially with the all-caps “STRONGLY”, because Verdana is NOT used as the UI font in Microsoft’s OS or appli­ca­tions. And that includes Inter­net Explorer. For its user inter­faces, Microsoft used MS Sans Serif from about 1994 to 1998, then Tahoma from about 1998 to 2006, and now it uses Segoe UI. The years are approx­i­mate, because the switchover took place at differ­ent times for differ­ent Microsoft applications.

    Verdana really is popular because of its use in web pages. And no surprise, because on-screen reading is what it was designed for. I don’t even like Verdana that much, but this outburst from design­ers is just emblem­atic of what’s wrong with the profes­sion. They’re just uncon­nected to regular people, who are supposed to be their audience. Same thing that’s worng with archi­tects — they focus on impress­ing each other, instead of improv­ing regular people’s lives.

    (For some real fun, see the documen­tary “Helvetica.” You end up wanting to slap some sense into many of the design­ers being inter­viewed. Or, I suppose, tick them off by using Arial instead of Helvetica.)

  8. SHORTFORMBLOG2 says:

    wow! you people really have no life, a FONT! & reading all posts on twitter & here lol! lame!

    MURDOCH has it right!!!

    Seriously? Seriously. You’re disgusted by a choice of font in a furni­ture catalog? Why not sit back and think about how that sounds for a second

  9. Chuck says:

    I love when people take the time to make posts like this. “You’re arguing about a font? Why don’t you care about something that matters?”

    Great job catch­ing this on Flickr.

  10. Chuck says:

    Do you really think that design­ers and archi­tects can’t relate to “regular” people? Seriously?

    It contin­ues to baffle me how a field like typog­ra­phy have to contin­u­ally ward off accusa­tions of “snobbish­ness” and overall “doesn’t-matter-ness.” Those who are unfamil­iar, unedu­cated and uninter­ested in design should leave it up to those who do it for a living to make the choices, and stop acting like “it looks good enough” is a legit­a­ment critique. But maybe “good enough” is an over-arching lifestyle theme I’m just unfamil­iar with. Experts should be allowed to argue and discuss the finer, more subtle points of their field without provok­ing attacks by novices or and trolls.

    I don’t “get” NASCAR, curling, or knitting, but I don’t have a problem accept­ing the fact that I don’t know everything.

  11. Chuck says:

    I love when people take the time to make posts like this. “You’re arguing about a font? Why don’t you care about something that matters?”

    Great job catch­ing this on Flickr.

  12. Chuck says:

    Do you really think that design­ers and archi­tects can’t relate to “regular” people? Seriously?

    It contin­ues to baffle me how a field like typog­ra­phy have to contin­u­ally ward off accusa­tions of “snobbish­ness” and overall “doesn’t-matter-ness.” Those who are unfamil­iar, unedu­cated and uninter­ested in design should leave it up to those who do it for a living to make the choices, and stop acting like “it looks good enough” is a legit­a­ment critique. But maybe “good enough” is an over-arching lifestyle theme I’m just unfamil­iar with. Experts should be allowed to argue and discuss the finer, more subtle points of their field without provok­ing attacks by novices or and trolls.

    I don’t “get” NASCAR, curling, or knitting, but I don’t have a problem accept­ing the fact that I don’t know everything.

  13. Chuck says:

    I love when people take the time to make posts like this. “You’re arguing about a font? Why don’t you care about something that matters?”

    Great job catch­ing this on Flickr.

  14. Chuck says:

    Do you really think that design­ers and archi­tects can’t relate to “regular” people? Seriously?

    It contin­ues to baffle me how a field like typog­ra­phy have to contin­u­ally ward off accusa­tions of “snobbish­ness” and overall “doesn’t-matter-ness.” Those who are unfamil­iar, unedu­cated and uninter­ested in design should leave it up to those who do it for a living to make the choices, and stop acting like “it looks good enough” is a legit­a­ment critique. But maybe “good enough” is an over-arching lifestyle theme I’m just unfamil­iar with. Experts should be allowed to argue and discuss the finer, more subtle points of their field without provok­ing attacks by novices or and trolls.

    I don’t “get” NASCAR, curling, or knitting, but I don’t have a problem accept­ing the fact that I don’t know everything.

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